






Amber hails from North Wales and trained at Urdang Academy in London earning her Professional Diploma in Musical Theatre graduating in 2016.
Most recently, Amber originated the role of Jordan Baker in the London production of The Great Gatsby. Prior to this, she played Vivian Ward in the UK tour of Pretty Woman, Lorraine Baines in Back to the Future at the Adelphi Theatre and Campbell in Bring It On (written by Lin-Manuel Miranda and Tom Kitt) at London’s Southbank Centre. Her professional theatre debut was the role of Judy in the Original West End Cast of 9 to 5 the Musical at the Savoy Theatre which she then continued to play on the UK Tour. Whilst she was preparing for the role, she filmed a documentary for ITVBe, Amber and Dolly: 9 to 5, which involved her flying to Nashville to meet and interview Dolly Parton and then followed her journey from auditions to rehearsals to opening night in the West End. She was the winner of Love Island 2017, a semi-finalist on Dancing on Ice, and her screen credits also include the role of Jess in Almost Never for CBBC/BBC iPlayer. She is also the Director and Host of Call to Stage podcast - listen wherever you get your podcasts!
Twitter: @Amber_Davies7
Instagram: @amb_d


George graduated from ArtsEd in 2019 with a (BA Hons) Degree in Musical Theatre.
He was most recently seen as Mr McKee in the Original London Cast of The Great Gatsby at the London Coliseum.
Further theatre credits include: Matt in Spend Spend Spend (Royal Exchange), Hunter in [title of show] (Phoenix Arts Club), Andy Scott in Barista the Musical (Horsham), Alternate Jack Kelly in Newsies (Troubadour, Wembley Park), Ogie in Waitress (UK Tour), Cover Price/Cover Cunningham in The Book of Mormon (UK Tour) and Jinx in Forever Plaid (Upstairs at the Gatehouse).
Concert Credits include: Minchin’s Lad in Acorn Antiques (Shaftesbury Theatre, London and Manchester Opera House).
George’s workshop experience includes Jim in Misfits, Young Sean in Don’t Forget and developing the role of Andy Scott in Barista the Musical.
@georgeygriff


Training: The London School of Musical Theatre and Italia Conti.
Theatre credits include: Alternate Howard/Parr in SIX (Vaudeville Theatre), Karen the Computer in The SpongeBob Musical (London Southbank Centre & UK Tour), Snow White in Snow White (Wimbledon Theatre), Kissy Face/Information Desk Person in Emojiland in Concert (Garrick Theatre), Ensemble in Kinky Boots in Concert (Theatre Royal, Drury Lane), Company in Millennials (The Other Palace Studio), New Wave Girl & Dance Captain in Heathers (The Other Palace), Snow White in Snow White (King's, Southsea), Dance Captain in Cinderella (Elgiva, Chesham), Children's Ensemble in Oliver! (Theatre Royal Drury Lane), Brigitta in The Sound of Music (London Palladium) and Jemima in Chitty Chitty Bang Bang (UK Tour).
Other credits include: Mona in Fado (Workshop), Bros in Control (CBBC), Myrtle in Nerds (Workshop), Vocalist in Lovebirds (concept recording), Briar Rose in Pricked (concept recording), Becky in Babies (concept recording), Camilla in Watchdogs: Truth (audiobook) and Westyn in Dee and Friends in Oz (voiceover).
Hannah is also a social media content creator with over 1.5 million followers across her platforms. She is the founder and host of popular musical theatre podcast How Very Hannah.
Instagram: @hannahlowther
TikTok: @hannahlowther


Karen Mavundukure is a Zimbabwean-born vocalist and actress raised in the UK within a musically rich, gospel-influenced family. She trained in Music at the Liverpool Institute for Performing Arts (LIPA) and has since performed in notable productions including Dreamgirls and Matilda the Musical. Karen is recognised for her dynamic vocal ability, strong musicianship, and professional versatility across stage and creative development work.
Theatre credits include: Stranger Things: First Shadow (Phoenix Theatre), Bronco Billy (Charing Cross Theatre), Tarantino Live (Riverside Studios), Mother Goose (UK Tour), The Color Purple (UK Tour), DreamGirls (West End), The Color Purple (The Curve/Birmingham Hippodrome) and The Aretha Franklin (UK Tour).
Film credits include: Matilda (Netflix).
@karenxmav


Born in London, Adam has been a performer for over 30 years. Starting his career with the Royal Ballet, Adam then went on to pursue a career as a freelance performer, choreographer and director in dance, musical theatre, film, television, opera and operetta. More recently he has directed musicals for The Curve in Leicester, Gärtnerplatz Theater in Munich and Oper Köln. He has performed and choreographed worldwide and won numerous awards including Evening Standard Award, Critics Circle National Dance Awards and nominations for Tony and Olivier Awards.
Recent performing credits include: Zach in A Chorus Line (UK Tour and Japan), Macbeth in Lady Macbeth (Japan tour), Boris Lermantov in The Red Shoes (Matthew Bourne’s New Adventures), Don Lockwood in Singin’ in the Rain (Palace Theatre London, Japan tour), Death in The Merry Widow (Gaertnerplatz Theater), Sky Masterston in Guys and Dolls (Piccadilly Theatre) and The Soldier in Will Tuckett’s The Soldier’s Tale (Royal Opera House London, Japan tour).
Recent Choreography Credits include: Sunny Afternoon (Chicage Shakespeare Theatre, UK tour, Harold Pinter Theatre), La Cage Aux Folles, Mata Hari, Tootsie (Gaertnerplatz Theater), The Grand Duchess of Gerolstein (Semperoper Dresden) and On The Town (Konzert and Theatre St Gallen).
Directing credits include: The Pirates of Penzance, The Rakes Progress, Candide (Gaertnerplatz Theater), Grand Hotel (University of Oklahoma), Shall We Dance (Sadlers Wells), Simply Cinderella (Curve) and Les Liaisons Dangereuses (Japan tour and Sadlers Wells).


Jamie trained at The Arts Educational School, graduating in 2021.
Theatre includes: originating the role of Tom Fraser in The Little Big Things (@sohoplace) directed by Luke Sheppard and his professional debut originating the lead role of Alan Osmond in the world premiere of The Osmonds: A New Musical (National Tour).
Forthcoming: Herr Zeller & u/s Georg von Trapp in The Sound of Music (Curve, Leicester).
Workshops include: Hatter in The Looking Glass Wars, Alex in The Amazing Mr. X and Dexter in One Day.
Other credits include: James in Paranormal Activity (promo commercial), The Music of the Night (Royal Albert Hall), The Olivier Awards (Royal Albert Hall/ITV) and Chita Rivera: Live in London (Cadogan Hall).


Training: Liverpool Institute for Performing Arts (LIPA)
Theatre Credits Include: Get Down Tonight: The KC & The Sunshine Band Musical (Charing Cross Theatre); Scissorhandz (Southwark Playhouse Elephant); Who Do Ya Love? The KC & The Sunshine Band Musical (ATG at Edinburgh Fringe); Scenes From Rent (Curve); The Owl Who Came for Christmas (Curve); WHATSHERNAME (Writer/Composer. Orange Tree Theatre); Now and Then (English Theatre Frankfurt); Hamlet (National Theatre); Macbeth, Much Ado About Nothing (AFTLS USA tours); A Midsummer Nights Dream, The Tempest, Tales from Hans Christian Anderson, Macbeth (Guildford Shakespeare); Swallows and Amazons, The Snow Queen, The Tempest, Peter Pan, A Christmas Carol (Creation Theatre); Jane Austen’s Northanger Abbey (Theatre Royal Bury St Edmunds & UK tour); Newsrevue (Canal Cafe); She Stoops to Conquer, Alls Well That Ends Well (Changeling).


Training: Italia Conti Academy of Theatre Arts.
Theatre credits include: Diane Morales in A Chorus Line (Curve Leicester, Sadler’s Wells, National Tour & Japan Tour) directed by Nikolai Foster, Rizzo in Grease (Dominion Theatre), for which she was nominated for the 2022 Black British Theatre Award for Best Supporting Female in a Musical and the 2023 WhatsOnStage Award for Best Supporting Performer in a Musical, Aziza in The Phase (The Vaults), Lady Capulet/ Nell and understudied and played Anne and Nurse in the Original Cast of & Juliet (Manchester Opera House & Shaftesbury Theatre), Joanne in Rent (Hope Mill Theatre), The Band Plays On (Sheffield Crucible/On Demand), Anita in West Side Story (Royal Exchange Theatre), for which she was nominated for the 2019 UK Theatre Award for Best Supporting Performance, Yvonne in Sunshine on Leith (West Yorkshire Playhouse and National Tour), understudied and played Deena and Lorrell in Dreamgirls (Savoy Theatre) directed by Casey Nicholaw - also Original London Cast Recording, Vanessa and Daniella in In The Heights (King's Cross Theatre), u/s Clara and Louise in Ghost the Musical (Asian Tour), Sarah in Our House (Pimlico Opera), Red in Little Red Riding Hood (Everyman Theatre), Deloris van Cartier in Sister Act (Pimlico Opera), u/s Mamma Morton in Chicago (Curve, Leicester), Peaches and u/s Motormouth in Hairspray (National Tour), Milly in Beauty and the Beast (Radlett Theatre), Dionne in Hair (European Tour), Bluette in The Blues Brothers (National and International Tours).
Workshops include: Fado (ATG), Savage, Human Resources, Bank of Dave, Rock Follies directed by Dominic Cooke, Stiletto, Just For One Day, Celtic Warrior, Rocky directed by Sean Holmes, Dr Dolittle, Dusty directed by Maria Friedman, Victory, Black Men Walking (NT Studio) directed by Dawn Walton.
Concerts include: Consuelo in West Side Story (BBC Proms/Royal Albert Hall).
Television includes: Meredith in Hullraisers series 2 (Fable Pictures/Channel 4) and Big Night of Musicals by the National Lottery (BBC).
Feature Film includes: Train Station Chorus in Wicked: For Good (Marc Platt Productions/Universal Pictures) for forthcoming release.
Short Film includes: Woman in Perfect Age (OnBook Theatre Films/Studio 1285), for which she won the 2025 New Jersey Film Festival Award for Best Supporting Actress.


Rosanna began her training at Tring Park School for the Performing Arts from the age of 11. She then went on to further her training at Mountview Academy of Theatre Arts.
Theatre credits include: Jan in the UK No1 Tour of Grease The Musical, Papergirl in Jeff Wayne’s The War Of The Worlds: Spirit of Man Arena Tour and Barbra Streisand in The Funny Girls. She has also played Spirit of The Ring in Aladdin (The Alban Arena & The Grove Theatre) & Tinkerbell in Peter Pan (The Hawth) for Evolution Pantomimes.
Alongside performing, Rosanna runs her own party entertainment and performing arts companies - The Dance N Party People LTD & Showstoppers Camp LTD. She also runs a children’s charity – The Birthday Dreams Foundation. Rosanna is over the moon to now be performing in one of her all-time favourite musicals.


Theatre credits include: Hamilton (West End), A Chorus Line (Japan), Grease the Musical (West End, West End Live, Loose Women and 2023 Olivier Awards), Bobbi Brown Beauty Weekender, Shrek The Musical (UK Tour) and The Sound of Music (Leicester Curve).


Training: The Urdang Academy
Theatre credits include: Ronnie Charles in Footballer’s Wives (Assembly Rooms, Edinburgh), Cover Jerry in Charlie and the Chocolate Factory (UK & Ireland Tour), Cover Tyrone Jackson in Fame the Musical (European Tour) and Young Michael Jackson in Thriller Live.
Screen credits include: Campaigns for Jo Malone, Ben’s Original, Google Play, and Nivea, alongside modelling for brands such as H. Samuel and Tu Clothing.
Credits whilst training include: Willie in Copacabana and Kyle in Legally Blonde.
Instagram: @ty._stew


Born and raised in Canada, where he found his passion for the stage, Bradley studied at the Randolph Academy for the Performing Arts before graduating from Guildford School of Acting.
Theatre credits include: the European premiere of First Date, Cats the Musical (International Tour, Taiwan, South Korea), To Gillie with Love (Gillian Lynne Theatre), The Phantom of the Opera (Greece) and the Made At Curve production of A Chorus Line (Sadler’s Wells, Curve, Japan).
Film credits include: Matilda the Musical (Netflix).
Bradley LOVES pink.


Training: London School of Musical Theatre (2023 graduate).
Theatre Credits include: Sister Margareta in The Sound of Music (Leicester Curve), Millie in Alfred Hitchcock Presents (Theatre Royal Bath), My Fair Lady (Leicester Curve), Buttons/Prince Charming in A Very Very Bad Cinderella (The Other Palace) and Made in Dagenham - 10th Anniversary Concert (London Palladium).
Other credits include: Misfits Together (workshop) and Finalist in Charles Miller Song Competition (London School of Musical Theatre).


Training: The Royal Academy of Music, graduating in 2023.
Theatre credits include: Ensemble/Cover Omar/Cover Iago in Disney’s Aladdin (UK No 1 Tour), Club Singer/Finn and Cover Christian/ Elton in Clueless (Trafalgar) and the title role in Aladdin (Stag Theatre, Sevenoaks).


Training: SLP College, Leeds.
Theatre Credits include: Dance Captain/Offstage Swing in Grease: The Immersive Movie Musical (Evolution at Battersea Park), Onstage Swing/Cover May/Assistant Dance Captain in & Juliet (UK & Ireland Tour), Offstage Swing/Cover May/Assistant Dance Captain in & Juliet (Shaftesbury Theatre, West End) and Ensemble in Kinky Boots The Musical (Royal Variety Performance 2025).
TV Credits include: Willkommen 2025 Live at Brandenburg Gate (ZDF), Die Giovanni Zarrella Show (ZDF) and Britain’s Got Talent (ITV).
Concerts include: Fantasies Come True -The queermusicals.com Concert (The Other Palace).
Other Credits include: 835th Hafengeburtstag Festival (Hamburg, also broadcast on NDR).






Training: Arts Educational School.
Theatre credits include: Beauty and the Beast (Coventry Belgrade), Nativity! The Musical (Birmingham Rep), Billy Elliot (Leicester Curve), I Should Be So Lucky (UK & Ireland), A Chorus Line (Leicester Curve, UK Tour & Japan) and The Sound of Music (Leicester Curve)
Louie would like to thank his family and his agent Terence at YOU Management for their continued support!


Training: Urdang Academy.
Theatre Credits Include: Swing & Cover Alline Tina: The Tina Turner Musical (Aldwych Theatre)
TV Credits Include: Save The Cinema (Sky Cinema), Blue Peter - Sports Relief Special (CBBC), Dday Juniors on Britain’s Got Talent (ITV), Acrocadabra on Britain’s Got Talent (ITV) and Taking The Next Step (CBBC).
Raiaz is over the moon to be joining the cast of Legally Blonde and would like to thank her friends & family for all their support.


Training: The Urdang Academy.
Theatre Credits include: Freaky Friday The Musical (Home Manchester), Clueless The Musical (West End), Grease -The Musical (UK Tour), Back To The Future -The Musical (West End), Beautiful: The Carole King Musical (UK Tour), The Wiz (Hope Mill Theatre, Manchester), Grease - The Musical (UK Tour) and Puss In Boots (Belgrade Theatre, Coventry).
Credits whilst training include: Tyrone Jackson in Fame- The Musical.
Other Credits include: Lead Boy in ‘Twist’ Saul Nash AW21, Dancer in Elzia Legzdina- Backflip and Dancer in MK- 2am.


Training: Performers College
Theatre credits include: Half a Sixpence (Bristol Hippodrome), Hello Dolly (Bristol Hippodrome), The Nutcracker with the Northern Ballet Theatre, Alice in Dick Whittington, Cinderella in Cinderella (Crossroads Pantomimes), Mamma Mia! as cover Sophie/Dance Captain (Novello Theatre). Lauren covered Marty in the UK and Ireland tour of Grease, performed alongside Diversity as Princess Jill in Jack and the Beanstalk and also most recently Maid Marion in Robin Hood (Crossroads Pantomimes). She was in the original West End cast of The Great Gatsby as Dance Captain (London Coliseum) and Associate Choreographer on Young Frankenstein (Hope Mill).
Television includes: Casualty (BBC), Grandpa in my pocket (CBBC). She also appeared on the ITV Mamma Mia! I Have a Dream where she was Dance Captain and Assistant Choreographer.
Lauren is thrilled to be a part of her all-time favourite musical and would like to dedicate this show to her gorgeous mum.


Ollie trained at the Guildford School of Acting.
Theatre credits include: Swing/ Cover Kyle & Aaron Schultz in Legally Blonde (Leicester Curve), Jack in Jack & The Beanstalk (Crewe Lyceum), Lysander in A Midsummer Nights Dream (S4K International), Swing/ Cover Kenickie in Grease (Kilworth House), Jack in Jack & The Beanstalk (The Gatehouse, Stafford), Ensemble/1st Cover Maxie Boswell in Becoming Nancy (Birmingham Rep), Peter Pan in Peter Pan International Tour (S4K International), Ensemble in Elf (UK Tour), Singer in West End Does Hollywood (Cadogan Hall, London) and Dave in Devil’s Advocate (ATG Productions).
@ollie_hartbradford
Represented by Michelle Blair Management.

Laurence O'Keefe received 2007 Tony and Drama Desk nominations for his work on Legally Blonde. Larry thanks all Blonde producers and creative team. He won the Ed Kleban Award, the ASCAP Richard Rodgers New Horizons Award and a Jonathan Larson award for his music and lyrics.
Off-Broadway credits include: Bat Boy: The Musical (Lucille Lortel, Richard Rodgers, Outer Critics' Circle awards), which has received 100+ productions worldwide, music for Sarah, Plain and Tall, lyrics by Nell Benjamin (touring with TheatreWorksUSA), co-author with Nell Benjamin of Cam Jansen (Drama Desk nomination) and The Mice.
Larry is a product of his education with the Harvard Krokodiloes, the Hasty Pudding Theatricals, the Harvard Lampoon and the Actors' Gang, but especially the incomparable Nell Benjamin.

Nell co-wrote the score to Legally Blonde the Musical with composer Laurence O'Keefe, which received Tony Award nominations, Drama Desk nominations and the Olivier and Helpmann Awards for Best Musical.
Nell wrote the lyrics to Mean Girls, which received multiple Tony Award nominations, including for Best Original Score and Best Musical.
Nell's play, The Explorers Club, won the Outer Critics Circle Award for Outstanding Off-Broadway Play, the Edgerton Foundation New American Plays Award and an Alfred P. Sloan Foundation grant.
Book and/or lyrics credits include: Pirates! (or Gilbert and Sullivan plunder'd), Sarah, Plain and Tall, Cam Jansen (Drama Desk-nominated), I Want My Hat Back, How I Became A Pirate, The Mice, Life of the Party and Because of Winn Dixie.
Upcoming musicals include: Huzzah!, Life of the Party and Dave.
Television writing includes: Unhappily Ever After, Animal Planet's Whoa! Sunday with Mo Rocca, Electric Company, Best Time Ever with Neil Patrick Harris, Ant & Dec's Saturday Night Takeaway and Julie's Greenroom.
Benjamin is the recipient of the Kleban Foundation Award and a Jonathan Larson Grant.

Heather received 2007 Tony and Drama Desk nominations for her work on Legally Blonde. Heather is a graduate of the University of Colorado, Boulder, School of Journalism.
Heather worked at The New York Times Denver Bureau as a research assistant and Sports and Fitness Publishing in Boulder, Colorado, as a magazine editor. Heather is also a member of Denver's Comedy Sports improv comedy troupe.
TV shows include: Caroline in the City and Dilbert. Heather won Walt Disney Screenwriting Fellowship in 1999.
Film credits include: Disney's Freaky Friday and What to Expect When You're Expecting.
Heather also wrote the young adult novel Freaky Monday with Mary Rodgers.
Much love to friends and family, especially Jason, Harper and Drake.

Nikolai is Artistic Director at Curve, Leicester, one of the UK’s leading regional theatres, described as “world class” by The Daily Telegraph.
Born in Copenhagen, Denmark, Nikolai grew up in North Yorkshire and trained at Drama Centre London and at the Crucible, Sheffield. He has created work for many of the UK’s major producing theatres, touring houses and international venues. Nikolai has been director on attachment at the Sheffield Crucible, the Royal Court Theatre and National Theatre Studio and served as an Associate Director at Leeds Playhouse. In 2024, Nikolai was awarded an Honorary Doctor of the Arts by Leicester’s De Montfort University for his contribution to theatre in Leicester.
Most recently at Curve, Nikolai directed Lerner & Loewe’s My Fair Lady, A Chorus Line (also at Sadler’s Wells & UK tour), Andrew Lloyd Webber & Tim Rice’s Evita and The Wizard of Oz (also at the Gillian Lynne Theatre, London Palladium & UK tour). The first new UK production of Lee Hall & Elton John’s Billy Elliot the Musical (winner Best Musical Production UK Theatre Awards & Best Regional Production WhatsOnStage Awards), described as a “masterpiece” by The Times, and Jim Jacobs & Warren Casey’s Grease at London’s Dominion Theatre and extensive UK tours. During lockdown, Nikolai directed Curve’s first digital streamed production, Andrew Lloyd Webber, Don Black & Christopher Hampton’s Sunset Boulevard, hailed as a “game-changer” by The Telegraph. Nikolai has also directed a major revival of Bernstein, Sondheim & Laurents’ West Side Story, Hanif Kureishi’s My Beautiful Laundrette (nominated for Best Regional Production at the WhatsOnStage Awards 2020), An Officer and A Gentleman – the Musical (UK tours), Irving Berlin’s White Christmas (also at the Dominion & on tour), the world-premiere of Dougal Irvine’s adaptation of Riaz Khan’s Memoirs of An Asian Football Casual (winner Best Stage Production Asian Media Awards), Sunset Boulevard (UK tour & winner Best Regional Production WhatsOnStage Awards), Joe Orton’s What The Butler Saw (with Theatre Royal Bath), Oscar Wilde’s The Importance of Being Earnest (with Birmingham Rep), the Broadway musical Spring Awakening (with NYMT), Legally Blonde (Opera Garnier, Monaco and Daegu Opera Festival, South Korea - Winner Best Musical - Daegu International Musical Festival Awards), Truman Capote’s Breakfast at Tiffany’s (Haymarket Theatre, London & UK tour), Roald Dahl’s The Witches (with Rose Theatre Kingston, Lyric Theatre, Hong Kong, Leeds Playhouse & UK tour), Tennessee Williams’ A Streetcar Named Desire, Shakespeare’s Richard III, Timberlake Wertenbaker’s Our Country’s Good and a performance to celebrate the reveal of the tomb of King Richard III at Leicester Cathedral.
As Associate Director at Leeds Playhouse, he directed Orwell’s Animal Farm, a new Sherlock Holmes story (THE BEST KEPT SECRET by Mark Catley), Dickens’ A Christmas Carol (adapted by Bryony Lavery & Jason Carr), Louise Page’s Salonika and Amanda Whittington’s Bollywood Jane. At the Crucible Sheffield, Nikolai made his directorial debut with A Chorus Line (2003), later followed by productions of Sondheim’s Assassins and Shaffer’s Amadeus.
Nikolai has also directed acclaimed productions of Coward’s Hay Fever (Chichester Festival Theatre), Annie (Piccadilly Theatre, Toronto, South Africa & extensive UK tours), Jonathan Harvey’s Beautiful Thing (Arts Theatre, London), Shelagh Stephenson’s The Memory of Water (Stephen Joseph Scarborough), Leoncavallo’s Pagliacci (English Touring Opera & Pegasus Opera), A Streetcar Named Desire and Sondheim’s Merrily We Roll Along (Theatr Clwyd), The Jungle Book (Glasgow Citz), Barry Hine’s Kes & Ayckbourn’s Season’s Greetings (Liverpool Everyman & Playhouse), David Essex’s All The Fun Of The Fair (UK tour), Coward’s final play A Song At Twilight, Shakespeare’s A Midsummer Night’s Dream, Steinbeck’s Of Mice & Men and Brecht’s The Good Person of Sichuan (All Mercury Theatre, Colchester), The Witches of Eastwick (UK tour), Shakespeare’s As You Like It (Chester Storyhouse), The Diary of Anne Frank (York Theatre Royal), Macbeth (Singapore Repertory Theatre), Dahl’s James and the Giant Peach (UK tour), Ayckbourn’s Absent Friends and Terry Johnson’s Dead Funny (Oldham Coliseum), Tanika Gupta’s adaptation of Dickens’ Great Expectations (Palace Theatre Watford & ETT) and Boucicault’s London Assurance and Calamity Jane at the Watermill (2010).

Leah is a much sought after choreographer following her win at the Black British Theatre Awards in 2022 for her choreographic debut on the 5-star smash hit, The Wiz at the Hope Mill Theatre. Leah’s most recent work as Assistant Choreographer can be found in the smash hit feature film WICKED.
Choreography Credits include: Beautiful: The Carole King Musical (Curve Theatre & UK Tour), The Wiz (Hope Mill Theatre) and Fiery Angel (Workshop).
Assistant Choreographer credits include: Wicked: Film (Universal) and the live action re-make of Aladdin (Disney FILM).
Prior to choreographing Leah had a hugely successful performing career in film and theatre, in London’s West End and internationally.
Her credits include: Ensemble/Velma in West Side Story (Royal Exchange Theatre, Manchester), Original Ensemble in Hamilton (Victoria Palace), Ensemble in THRILLER LIVE! (Lyric Theatre), Ensemble in Snow White (Disney FILM) and Ensemble in Beauty and the Beast (Disney FILM).
Leah is thrilled to return to Curve choreographing this brilliant new production of Kinky Boots and would like to thank Nikolai, The Curve & Producers for this extraordinary opportunity. Leah would also like to thank her mum Andrea for her love and constant support.
@leahhill_dancer
Represented by: Michelle Blair Management

Training: The Liverpool Institute for Performing Arts.
Theatre credits include:
As Musical Supervisor: HERE & NOW [plus Orchestrator] (Birmingham Alexandra), Dear Evan Hansen (UK Tour), The Years [Associate Supervisor] (Almeida Theatre & Harold Pinter Theatre), School of Rock (UK tour), Beautiful - The Carole King Musical (UK tours), The Last Tango (Phoenix Theatre/UK tour), Love Me Tender [plus Orchestrator] (UK tour) and We Will Rock You [Associate] (North American Tour).
As Musical Director: My Neighbour Totoro (Gillian Lynne Theatre & Barbican), Ain’t Too Proud (Prince Edward Theatre), Dear Evan Hansen (Noël Coward Theatre), School of Rock (Gillian Lynne Theatre), Beautiful – The Carole King Musical (Aldwych Theatre), The Infidel (Theatre Royal Stratford East), Taboo (Brixton Club House), Taboo 20th Anniversary concert (London Palladium), The Music of Andrew Lloyd Webber (Leicester Curve), Water Babies (Leicester Curve), Unmasked (The Other Palace), Never Forget (Savoy Theatre/UK tours), We Will Rock You (Stuttgart/Berlin), Some Girl I Used To Know (Arts Theatre), The Prodigals (Coventry Belgrade), Footloose (UK/European tours), The Rocky Horror Show (European tour), Thriller Live [assistant MD] (Lyric Theatre), Cinderella (New Wimbledon Theatre), Bohemian Rhapsody (tour), This Is Elvis (UK tour), Dancing in the Streets (UK tour) and Vampirette (Manchester Opera House).
Television credits include:
As Vocal Coach & Musical Director: Cilla (ITV) and World At War (BBC).
Matt is a patron of NK Theatre Arts in Manchester.

Theatre credits include: Wizard of Oz (Set) (Curve Theatre / London Palladium / UK Tour), The Faith Healer (Lyric Theatre Hammersmith), Oliver! (Leeds Playhouse), The Little Big Things (Soho Place), The Red Shoes, The Magicians Elephant (RSC), Grania (Abbey Theatre Dublin), La Cage aux Folles, 101 Dalmatians (Regent’s Park), Wendy & Peter Pan (Bunkamura Tokyo/RSC/Leeds playhouse), The Royal Hunt of the Sun (Parco, Tokyo), The Witches of Eastwick (Cameron Mackintosh/Cirkus Stockholm), Annie (West End, South Africa, Toronto and UK Tour), Grease (UK Tour), Sunset Boulevard (UK Tour), Pressure (West End, Edinburgh Lyceum and Chichester Minerva), Titus Andronicus (RSC), Breakfast with Mugabe (RSC and West End), Spring Awakening (Headlong), Sunshine on Leith (Leeds Playhouse and UK Tour), Animal Farm (Leeds Playhouse), Come on Home and Jimmy’s Hall (both Abbey, Dublin), Sweeney Todd (WNO, La Monnaie and Royal Danish Opera), The Rise And Fall Of Little Voice and Dancing At Lughnasa (both Birmingham Rep), The Hypochondriac, Twelfth Night, Betrayal (Sheffield Crucible), All’s Well That Ends Well and Antony And Cleopatra (both The Globe), Beautiful Thing (West End and UK Tour).
Ballet credits include: Macbeth (National Ballet of Japan), Merlin (Northern Ballet), Pinocchio (National Ballet of Canada/Texas Ballet Theater).
Opera credits include: Carmen, The Magic Flute and Kiss Me Kate (all Opera North).
Previous television and film credits include: Doctor Who (BBC), Old Friends and Other Days (NI Opera and Causeway Pictures).
Follow Colin on social media:
www.colinrichmond.com | Instagram – @colinrichmonddesigner

Ben is an Associate Artist of Curve. He trained at Rose Bruford College of Speech and Drama in London where he was honoured to be awarded a Fellowship in 2021.
West End designs include: Clueless (Trafalgar Theatre), The Wizard of Oz (London Palladium), 42nd Street (Sadlers Wells), The Great British Bakeoff Musical (Noel Coward), Grease (Dominion), The Drifters Girl (Garrick), Joseph and the Amazing Technicolour Dreamcoat (London Palladium), Heathers (Soho Place, Theatre Royal Haymarket), Young Frankenstein (Garrick), Inala (Peacock), Annie (Piccadilly), Robin Hood, Peter Pan, Jack & the Beanstalk, Pantoland at The Palladium, Goldilocks and the Three Bears, Snow White, Dick Whittington and Cinderella (London Palladium), Breakfast at Tiffanys (Theatre Royal Haymarket), All the Fun of the Fair (Garrick) and Dancing in the Streets (Cambridge).
Regional and UK tours include: The Merry Widow (Glyndebourne Opera), Beautiful, What the Butler Saw (Curve/Theatre Royal Bath), The Great British Bakeoff Musical (Cheltenham), Sunset Boulevard, The Color Purple At Home (Streamed from Curve), Chitty Chitty Bang Bang, Shrek, 42nd Street, Annie, Heathers, The Cher Show, The Addams Family, The Osmonds, Priscilla Queen of the Desert, Rough Crossing, Dracula, Rock of Ages, La Cage Aux Folles (UK Tours), The Comedy of Errors, Pieces of String (Mercury Theatre, Colchester), Love on the Links, Before the Party (Salisbury Playhouse), Billy Elliot, My Beautiful Laundrette, An Officer and a Gentleman, Sunset Boulevard, Beautiful Thing (Curve/UK tour), The Importance of Being Earnest (Birmingham Rep), Kiss Me Kate (WNO/Opera North), Saturday Night Fever (Theatre Royal, Bath/UK tour), The Tempest, Othello, Much Ado About Nothing, As You Like It (Stafford Shakespeare Festival), The Memory of Water (New Vic, Stoke), Our House (New Wolsey, Ipswich/UK tour), Sherlock Holmes, Angus Thongs and Even more Snogging (West Yorkshire Playhouse) and Merrily We Roll Along (Theatre Clwyd).
International credits include: Wicked (Teatro Santander, Sao Paulo), Abenteuerland (Capitol Theatre, Dusseldorf), Joseph and the Amazing Technicolour Dreamcoat (Toronto and Australian National Tour), We Will Rock You (Manila & World Tour), Chess (Tokyo & Osaka), La Clemenza di Tito (Opéra de Lausanne / Bilbao Opera), Romeo und Julia (Theater Trier), 42nd Street, Annie, Chess (Toronto), The Picture of Dorian Grey, The Life, Strangers On A Train, Sweet Charity, Tommy (English Theatre, Frankfurt), Legally Blonde (South Korea), Inala (Sadlers Wells/International tour), Faust, 1984 (Altes Schauspielhaus, Stuttgart), Dracula (Singapore/Bangkok) and Voices of The Amazon.
Television credits include: The Prince’s Trust Awards (Theatre Royal Drury Lane), The Classic Brit Awards (Royal Albert Hall), The Olivier Awards 2011-2024 (2014 & 2019 Knight of Illumination Award for Best Lighting) (Royal Opera House and Royal Albert Hall), The Kinshasa Symphony Orchestra (Royal Festival Hall) and Il Divo (Coliseum).
@ben.cracknell.lighting

Theatre includes: Disney’s Hercules (Theatre Royal Drury Lane); Evita (London Palladium); Kinky Boots (UK Tour); Oliver! (Gielgud/Chichester Festival Theatre); Sunset Boulevard (Savoy/Broadway); Here & Now (Birmingham Alex); Muriel’s Wedding, My Fair Lady, Evita, Billy Elliot (Leicester Curve); The Lord of the Rings (International); Your Lie In April (Harold Pinter); Kiss Me Kate (Barbican); Bhangra Nation (Birmingham Rep); The Wizard of Oz (London Palladium/Leicester Curve/UK Tour); Lizzie The Musical (Hope Mill/UK Tour); The Last Five Years (Garrick/Southwark Playhouse); The Phantom of the Opera (International); Our Man in Havana (Watermill); Into the Woods (Theatre Royal Bath); Cinderella (Hope Mill); The View Upstairs, Soho Cinders (Soho).
For his work on Sunset Boulevard, Adam received the Olivier Award 2024 for Best Sound Design as well as a Tony Nomination 2025 for Best Sound Design of a Musical.
He produced and mixed the cast recordings of After You, Henrietta the Musical and Sunset Blvd: The Album.

Theatre Credits Include: Grease: The Immersive Movie Musical (Secret Cinema), A Knight’s Tale (Manchester Opera House), HERE & NOW: The Steps Musical (Birmingham Alex/ UK Tour), Pretty Woman (West End, UK Tour & International), 9 to 5 (West End & UK Tour), NOW That’s What I Call A Musical (UK Tour), I Should Be So Lucky (UK Tour), The Cher Show (UK Tour), The Secret Diary of Adrian Mole Aged 13 3/4 (West End, Menier Chocolate Factory & Curve), We Will Rock You (International Tour), Phantom (Japan), Dreamworks’ Madagascar – The Musical (UK & International Tour), Big Fish (The Other Palace), Lovestuck (Stratford East), The Nutcracker, A Christmas Carol, The Snow Queen, The Rivals, The Misanthrope (Bristol Old Vic), Racing Demon, 20 Tiny Plays About Sheffield (Sheffield Crucible), My Judy Garland Life, Joking Apart (Nottingham Playhouse), The Choir (Glasgow Citizens), Ragtime (Charing Cross), Grey Gardens, The Chimes (Southwark Playhouse), Five Guys Named Moe (Edinburgh), Moonfleet, Echo’s End, Bedroom Farce, Separate Tables, The Recruiting Officer, Joking Apart, The Spire, Epsom Downs, The Game Of Love and Chance (Salisbury Playhouse), Oliver!, The Secret Adversary, A Bunch Of Amateurs, The Witches Of Eastwick, Thoroughly Modern Millie, Radio Times (Watermill), Each His Own Wilderness, The Man Who (Orange Tree), Philip Pullman’s Immersive Grimm Tales (The Bargehouse, South Bank & Shoreditch Town Hall), Beacons (Park Theatre), Beyond The Fence (Arts Theatre), Moominland Midwinter (The Egg, Theatre Royal Bath), Happy Days (UK tour), Radio Times (UK tour), Llwyth, Tylwyth (Sherman Cymru, Theatr Genedlaethol Cymru Tour & Taiwan) and Laughing Gas (Theatre Royal Plymouth & UK Tour).
Opera Credits Include: Written On Skin, Powder Her Face (Opera Philadelphia),Carmen (Teatro Petruzelli Bari, Italy & Castleton Festival, USA), Il Matrimonio Segreto, La Cenerentola (Scottish Opera), La Fille Du Regiment (Opera Holland Park) and Let’s Make An Opera (Aldeburgh).
Design for Dance Credits Include: House Of Jojo (Johannes Radebe’s UK Tour), Death Trap, Goat (Rambert, Sadlers Wells & UK Tour), Arrangement, Decommission, On The Habit Of Being Oneself (Joe Moran Dance, Sadlers Wells), Obverse (Joe Moran Dance,The Place) and Les Amoreux (Company Chordelia, UK Tour)
Design for Television and Music Credits Includes: Mamma Mia: I Have A Dream (ITV1), The Courtship (NBC), Robbie Williams’ Swings Both Ways Worldwide Tour, Festival of Remembrance (BBC1, 2021-2023), Game Of Talents (ITV1), Even Better Than The Real Thing (BBC1), Let It Shine (BBC1) and Head Of Costume on Britain’s Got Talent (ITV) since 2015.

Current credits include: Beetlejuice (Prince Edward Theatre), Kinky Boots (London Coliseum), Silence of the Lambs (UK Tour), Bank of Dave, Public: The Musical (Leicester Curve), Dirty Dancing (Capital Theatre), Legally Blonde (Leicester Curve/UK Tour), Rock & Roll Man (Salisbury Playhouse) and Beautiful Little Fool (Southwark Playhouse).
Theatre credits include: Kinky Boots (Curve Theatre/UK Tour), Why Am I So Single? (Garrick Theatre), Your Lie in April (Harold Pinter Theatre), Burlesque (Savoy Theatre/Manchester Opera House/Glasgow Theatre Royal), The Hunchback of Notre Dame: In Concert (Prince Edward Theatre), Babies (The Other Palace/Lyric Theatre), Glorious! (Hope Mill Theatre), Fanny (Watermill Theatre/King’s Head Theatre), Ride The Cyclone (Southwark Playhouse), Maiden Voyage, Scissorhandz (Southwark Playhouse), Unbelievable (Criterion Theatre), The SpongeBob Musical (Southbank Centre/UK Tour), Derren Brown’s Showman (Apollo Theatre), Evita (London Palladium, Children’s Casting), My Beautiful Laundrette (Curve Theatre/UK Tour), Death Note (London Palladium/Lyric Theatre), Dirty Dancing (Dominion Theatre/UK Tour), Treason (London Palladium/Alexandra Palace/UK Tour), Choir Of Man (USA Tour), Jack and the Beanstalk (Charing Cross Theatre), Starcrossed (Wilton's Music Hall), Blippi: The Wonderful World Tour (Harold Pinter Theatre), Disruption, On The Ropes (Park Theatre), Cinderella (Theatre Royal Stratford East), The Last Five Years, The Girl On The Train, Once, Private Lives, Million Dollar Quartet (Barn Theatre), Aladdin (Lyric Hammersmith), American Idiot (Arts Theatre/UK Tour), Footloose (Peacock Theatre/UK Tour), Dark Sublime, Silk Road (Trafalgar Studios), Our House (UK Tour), One Man, Two Guvnors (Derby Theatre/Queens Theatre Hornchurch), Glory Ride, Soho Cinders, Mythic, The Knowledge (Charing Cross Theatre), Footballers’ Wives: The Musical (Assembly Rooms) and concert productions of Wild About You, Chess and Treason (Theatre Royal Drury Lane).
TV credits include: Prince Andrew: The Musical (ensemble casting) and Derren Brown’s Showman.
Film credits include: Tomorrow Morning, A Family Affair, Beast/Type/Song and The Hermit.

Theatre credits include: Cabaret (West End & Broadway), SIX The Musical (West End, Broadway & UK & International Tour), Kiss Me Kate (Barbican Centre), Clueless The Musical (West End), Sister Act (West End, Eventim Apollo, UK Tour, Netherlands & Australia), Mrs. Doubtfire: The New Musical Comedy (Associate, West End & Manchester), Moulin Rouge! The Musical (Associate, West End & World Tour), Alfred Hitchcock Presents (Theatre Royal Bath), HERE & NOW - The Steps Musical (UK Tour), 13 Going on 13 - The Musical (Manchester), Miss Saigon (Crucible Theatre, Sheffield), Diamonds and Dust (West End), Good Night, Oscar (Associate, Barbican Centre), The Baker's Wife (Menier Chocolate Factory), Bedknobs & Broomsticks the Musical (UK Tour), Joseph and the Amazing Technicolor Dreamcoat (UK Tour), NOW! That's What I Call A Musical (UK Tour), Elf The Musical (West End & Broadway), Evita (Curve Theatre, Leicester), An Officer and a Gentleman (UK Tour), Medea (Soho Place, West End), Brokeback Mountain (Soho Place, West End), The Cher Show (UK Tour), The Osmonds: A New Musical (UK Tour), White Christmas (West End & UK Tour), The Palladium Panto: Jack and the Beanstalk (West End), The Palladium Panto: Peter Pan (West End), Copacabana (UK Tour), Curtains(West End & UK Tour), On Your Feet! (West End & UK Tour), Magic Goes Wrong (West End), What’s New Pussycat? (Birmingham Repertory), Gypsy (Alexandra Palace Theatre), Sunset Boulevard (Alexandra Palace Theatre & The Royal Albert Hall), Fairview (Young Vic), A Very Expensive Poison (Old Vic) and The Way Back Home (ENO).
Film & Television credits include: Wicked: Part I, Wicked: For Good, The Hunger Games: The Ballad of Songbirds and Snakes, Disney’s Snow White, James Bond: No Time to Die, "Spider-Man 4'", Pride and Prejudice, Greta Gerwig's Narnia, Jack of Spades, The Adventures of Cliff Booth, A Haunting in Venice, Downton Abbey: The Grand Finale, Call the Midwife, Rivals, Enola Holmes 3, The Lady, Wuthering Heights, Children of Blood and Bone, Love of Your Life, Hamnet, The Night Manager, Geek Girl, Paddington in Peru, Wicked Little Letter, 28 Years Later, East of Eden, The Roses, The Last Disturbance of Madeline Hynde, Blade Runner 2099, The Seven Dials Mystery, The Bride, Wednesday, Star Trek: Section 31, Venom: The Last Dance, A Very Royal Scandal, Maria, Toxic Town, Joy, Here, Halo, Marvel’s Loki, Spencer, Wonka, The Ministry of Ungentlemanly Warfare, Disney’s The Little Mermaid, Dr Who, Nosferatu, The Tattooist of Auschwitz, Miss Austen, Marvel’s The Marvels, Back to Black, A Thousand Blows, Bob Marley: One Love, Disney's The Ballad of Renegade Nell and Marvel’s Secret Invasion, My Policeman.

Theatre credits include: Cabaret (West End & Broadway), SIX The Musical (West End, Broadway & UK & International Tour), Kiss Me Kate (Barbican Centre), Clueless The Musical (West End), Sister Act (West End, Eventim Apollo, UK Tour, Netherlands & Australia), Mrs. Doubtfire: The New Musical Comedy (Associate, West End & Manchester), Moulin Rouge! The Musical (Associate, West End & World Tour), Alfred Hitchcock Presents (Theatre Royal Bath), HERE & NOW - The Steps Musical (UK Tour), 13 Going on 13 - The Musical (Manchester), Miss Saigon (Crucible Theatre, Sheffield), Diamonds and Dust (West End), Good Night, Oscar (Associate, Barbican Centre), The Baker's Wife (Menier Chocolate Factory), Bedknobs & Broomsticks the Musical (UK Tour), Joseph and the Amazing Technicolor Dreamcoat (UK Tour), NOW! That's What I Call A Musical (UK Tour), Elf The Musical (West End & Broadway), Evita (Curve Theatre, Leicester), An Officer and a Gentleman (UK Tour), Medea (Soho Place, West End), Brokeback Mountain (Soho Place, West End), The Cher Show (UK Tour), The Osmonds: A New Musical (UK Tour), White Christmas (West End & UK Tour), The Palladium Panto: Jack and the Beanstalk (West End), The Palladium Panto: Peter Pan (West End), Copacabana (UK Tour), Curtains(West End & UK Tour), On Your Feet! (West End & UK Tour), Magic Goes Wrong (West End), What’s New Pussycat? (Birmingham Repertory), Gypsy (Alexandra Palace Theatre), Sunset Boulevard (Alexandra Palace Theatre & The Royal Albert Hall), Fairview (Young Vic), A Very Expensive Poison (Old Vic) and The Way Back Home (ENO).
Film & Television credits include: Wicked: Part I, Wicked: For Good, The Hunger Games: The Ballad of Songbirds and Snakes, Disney’s Snow White, James Bond: No Time to Die, "Spider-Man 4'", Pride and Prejudice, Greta Gerwig's Narnia, Jack of Spades, The Adventures of Cliff Booth, A Haunting in Venice, Downton Abbey: The Grand Finale, Call the Midwife, Rivals, Enola Holmes 3, The Lady, Wuthering Heights, Children of Blood and Bone, Love of Your Life, Hamnet, The Night Manager, Geek Girl, Paddington in Peru, Wicked Little Letter, 28 Years Later, East of Eden, The Roses, The Last Disturbance of Madeline Hynde, Blade Runner 2099, The Seven Dials Mystery, The Bride, Wednesday, Star Trek: Section 31, Venom: The Last Dance, A Very Royal Scandal, Maria, Toxic Town, Joy, Here, Halo, Marvel’s Loki, Spencer, Wonka, The Ministry of Ungentlemanly Warfare, Disney’s The Little Mermaid, Dr Who, Nosferatu, The Tattooist of Auschwitz, Miss Austen, Marvel’s The Marvels, Back to Black, A Thousand Blows, Bob Marley: One Love, Disney's The Ballad of Renegade Nell and Marvel’s Secret Invasion, My Policeman.